one of japans most intriguing graphic artists >baiyon< has also been producing ethereal and engaging tracks since 1998. having journeyed through cut up hip hop house and dub regions under his conceal moniker, d1 invited him to perform two ecstatically received live sets as baiyon at dublins deaf festival in 2005 and in 2007. now for our 41st in the d1 catalogue we are presenting 4 flawless minimal >trecks< of deep space activity. first up is >s soup< a slick fusion of traditional japanese block grooves and drum machine that climbs its way up into a cloud bursting deep dub house melody explosion. side a is completed by a remix of aforementioned track by south african dj/producer >shane berry< of synewave and trapez fame. the mission continues through >the middle< showing a slightly tougher side to this usually light hearted artist. the plate concludes with a stunning bouncy deep jerky house number >can ride, can walk, cant wait< sweet deep melodies dubbed out over club chuggin beats and a red hot squidge bassline

c mon get up! get up! its sunday and time to go to church! gents hold on to your bibles, ladies hold on to your hats & fans as dj drop this crazy sunday evening mix on the congregation. sean mccabe from the blak beat niks puts the feet in stomp with this track. just listen to the thick, pounding kick of the beat! soulful guitar riffs and the base organ that roll in tandem with the guitar taking the energy level pass infinity. another organ wheezes, whines, shakes and wiggles against the groove, while the strings carry the original melody. the modulations are too intense and will drive any dance floor crazy and have them begging for more.

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

supported by anthony collins, gregor tresher, sebo k and djinxx. luca bacchetti continues his ascent with his third wagon repair release. the a side >night over kwazulu< stirs together deep african drum patterns, pulsing tech-house percussion and kindling melodic sparks. a haunting chanted vocal and delayed horn melody introduce mystery to a wilderness of echoed tone and chimed synth. b side >rollin brooklyn (lee van dowskis monday turbulence mix 1)< sees the swiss/french techno dj reinvent a track from lucas first wagon repair release

the man behind the actual multi seller magenta is back again!! arias is one of the most talentued new french producers. after the world success of his first track magenta, hes back with this dancefloor killa with a big bass, big strings...

two names synonymous with melody, style, and forward thinking, brazil‘s gui boratto and germany‘s own martin eyerer present two hot new productions on audiomatique.

the year starts with the 4th instalment of the rising label from germany.>little less more< is the meeting of two musical generations. this fiery track fuses mid-nineties tech electro with up-to-date minimalism. the strange sound effects and minimalistic energy of >jenna s melody in love< create a 21st century techno-journey. daniel solar s and marc poppcke s remix is the absolute contrast. it s deep tech-house grooves like a gentle film score for sunset. watch out for this upcomming artists..

the best melodic track i ve heard for years is how desyn masiello has described michael cassettes second single on anjunadeep, while others have hailed it as this years discopolis. a tune of sublime beauty, shadows movement features a swirling, hypnotic melody and french flavoured bassline, that combine to deliver a stunning dancefloor moment

earlier support comes from ewan pearson, funk d void, satoshi tomi, tiger stripes, troy pierce, laurent garnier, danny howells and many more.. the tenth release from aus music is a tasty little bomb from sian to kick off the new year. graham goodwin aka sian is a dublin native raised gypsy style in southern spain. he released two albums and many singles on labels as diverse as pokerflat, dessous, karmarouge, dirtcrew and einmaleins. wear your scars like medals - has a very different vibe to sians first outing on aus, his lush, melodic >apple tree<. >wear your scars< is an all together darker, more brooding affair. with no bass line to speak of and sirens and toms carrying the majority of the melody this can be classed as a truly tribal excursion. roland appel remix - taking the pitch of sians sirens as the melodic starting point roland builds a hypnotic deep techno track that is reminiscent of early planet e releases.

fabian gatti celebrate debut maxi with a deep detroit techno-emphasis and has the right melodies on his side. >windexpress developed with his warm chords, the melody transports and banging snares a hypnotic beam power, and since we are sure, every techno floor in a sea of euphoria soulfull transform.

played by claude von stroke, jeff samuel, john tejada, mike monday and mike shannon !! back on the label after their acclaimed cp styre ep and a few releases donk boys delivers here a four tracker ep with their own approach of weird bleep tech house starting with a1- doozer track (also tilte of the ep) an original piece of mental deep atmosphere mixing with a disturbing heady melody ...completely addictive! follows a2 rufs a minimal bleepy jackin house track as the donk know to do... on the flip b1 broke steak more techy beats and crispy sounds with an impressive groove..shake shake !and on b2 vaseline on toast in a more freaky twisted house way with cut voice and irresistible groove ..donk boys definitely strike again.

gavin herlihy has long been one of dance musics most respected journalists and djs, and with two acclaimed releases on mood music last year and more recently a brace of top-drawer remixes for unkle and alexkid, hes fast becoming one of its hottest producers. freshly relocated to berlin, his debut 12inch for kindisch, >opium haze<, confirms his status as a skilled and innovative player on the house and techno scene. >opium haze< is as heady and intoxicating as its title implies, an effortlessly psychedelic piece of music thats nonetheless firmly rooted on the dancefloor. it begins with a clicky, funked-up conga tattoo cloaked in disorienting effects which partly obscure the jazzy melody rising up from the mixs depths. out of that sticky, dubby fug emerges an insistent, upward-tripping piano line and synthesized string stabs - together forming the kind of rave-ready hook that will cause immediate damage in the club. herlihy is superbly heavy on the edit, using an eastern woodwind sample, disembodied voices and various percussive elements to deliver build after build, drop after explosive drop. >opium haze< is a hugely satisfying piece of music, and a club anthem-in-waiting. >professional exit< is a more stripped-down but no less accomplished affair, driven by a warm, rippling bassline and phased electronics. before the percussion intesifies and interlocks, offsetting a sparse one-note synth line which hangs in the air, thickening it with understated drama. at once seductive and unsettling, experimental and club-oriented, >professional exit< is indeed a professional end to a highly professional 12inch

after two outstanding appearances on eminor #03 and #06, raumton comes up with his first solo ep on this hamburg based label. expanding chambers shows that his house-inspired background, however still present, fades towards more subtle, minimalistic and emotional melody lines

support comes from paul mac, ben sims, reynold, fabrice lig, russ gabriel !! a solid detroitish techno ep from franco cangelli. digging deep into his roots, he delivers 3 brilliant tracks that exemplify the machine soul of techno. >highway< pulsates with deep bass kicks, slowly evolves to a rhythmic orgy of beautiful detroitish chord layers. future classic deep techno. the darker and moody >things coming together<, works the dancefloor with classic 808 sounds, a square bassline, dark strings and a nasty melody. dbx meets detroit. >presumably so< starts off on a minimal trip slowly evolving into a funky track with a moving bass string, squelchy electrifying sounds and a sweet pad to add a nice deep touch. reynold then comes along with a mind shaking remix, funky chords, electro bassline, building up to an unrelenting dancefloor experience

peaktime melodic electro techno madness by david pereira, known from releases on sucre sale, rhythm convert, session, magura and corachi

dj harvey children >foolish felix< and most well known keyboard player in uk disco scene >pete z< aka das etwas returned to mule. last 12inch >international news< was a big favorite of ivan smagghe and name a few. the title track >escape from the scapegoat< is dirty new wave disco track and its a one of the most danceable track of them. if you love smith n huck, prins thomas etc.. ,you will love this track. >chicago halal< is a wild progressive rock sound and you will listen fantastic pete zs keyboard melody at >lick the nose<

the swiss shotting star dj snowstorm present a massive hardstyle release with a very nice catchy melody!! this one wil dominate any dancefloor!! including a-drive remix. no snow included! produced by hardstyle guru max b. grant

tip! a lasting impression melody track , lmtd one sided 500 copies only

get down features the vocal talents of mc zub is set to become the next party anthem. its got all the right ingredients, infectious groove, big bassline, catchy vocals and melody, that will have you singing this in your head for days. the hip house version is a real jackin track with plenty of extra mad synth action to keep it twisted. the minimow mix is a stripped back groover with an intense brooding vibe for the darker moments.

>hyphen< is a bumpy techno tune perfectly suited for peak time play. it starts of with this deep 808 kick and squelchy bassline followed by this mesmerizing synth melody which teases you all the way through-out. strum wie doh is a sophisticated mixture of minimal and techy house. it has minilogue-ish vybe to it. on the b-side tretau takes things into darker territory with killi. a steady groove makes your feet move and those crazy minimal sounds and effects make your head spin.

anhangueras gangsta melody is a funky house affair with funky guitars, great horns and some hip hop vox snips. the a 2 track by easily influenced is a jazzy, techy edged house roller with some crazy vocal snips. flip for basic skillz back 2 reality - a cut up techhouse monster with cool drums and a lot of well placed samples. another winner from the robsoul camp

after the success from the border community 12 inch, >barcelona<, this release showcases the perfect balance of melody and minimalism in techno that barbara displays in her consistently excellent dj sets the world over.

incl mixes by in flagranti & david glamour girls!! skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! for the 9th release, the crew decided to bring you guys a brand new track with a name that i guess speak for itslef, >metallika<, a fusion between disco (cowbells, bassline), italo (the arpeggio !) and electro (check the minimal-maximal synths) with an unforgettable melody that will remind us maybe in some ways alter egos rocker track

dimi angélis & jeroen search. both artists are among the few internationally acclaimed techno artists from the netherlands. their dj activity and production work reaches back into the early nineties. >the new frontier< melds the firmness and determination of old school techno with a contemporary subtlety. it is amazing how few elements jereon search and dimi angélis need to create a dense and compelling athmosphere. >lunar< is the kind of track that slips perfectly in a wide range of club sets. while it offers the dj a vast span of possible connections to other music, its hypnotic melody does not leave your head for hours. >jupiter< is bolder, it is centered around a demanding groove. while the melodies operate in the background of the track, the complex net of rhythmic patterns shifts indistinguishably. it is the type of music which holds you in a tight grip - and you are not even able to tell what exactly is so striking about it. its implicitness makes >the new frontier< such a special record. it belongs to the rare breed of music which does not demand to go into your box - and this is exactly why it is made to stay there for quite some time

frankie is back with a 4 tracker ep >balcony ep< a concentrate of shakyness and unpredictable beats on a1 stoic rough melodies and cut dirty voice increase tension & speed effective! on a2 secrets in a more freaky oldschool house way with incise drums and shaky beats bumper tune on the flip b1klipp a minimal techy track with rough heady melody and a paradoxal atone crispy voice and b2 repliq more funky housey complete this amazing tumultuous ep

fresh after the release of his well-received wagon repair debut, we are thrilled to present italian producer luca bacchettis >like a sadhu ep<. a prominent tech-house dj and prolific producer with releases on tenax recordings and safari electronique prior to his work with wagon repair, luca can also be found presenting the excellent xtrabass show on samurai fm. opener >like a sadhu< is a driving tech-house track, motored by a pulsating bass loop and enlivened by fast approaching synth highlights, buzzing rhythmic tones and restless percussive transformations. >trust< is saturated with new dimensions, mixing a deep bass drive and clattering percussion with intensifying synth passages and an unnerving ambience. >the way to corvocado< is the deepest of the trilogy, mixing a sparse soundscape with subtle percussive pushes as a stabbed chord passage adds melody

following the big success of their debut release >metro gold< berlin based resident dj of bar 25 red robin and format b member jakob hilden have come up with a very hitty and unorthodox big production as a follow up. the two club tracks of the upcoming >tales ep< are straightforward and reduced to the essentials. made out of pure power. >lazy jack< the a-side is another monster of a track. it holds the dark berlin side of techno, with its droning noises and delays. it reminds us a bit of chicago techno house at its best, but this is just one facetted of the track. it gets its other enthusiastic crazy over the top and emotional side from the whistle melody which sets in half way through the track. this leading sequenced is such a catchy tune that its sure to be heard in all mayor berlin clubs and eventually all around the globe. the b-side track >tin soldier< is a marching techno tune, with a cool slight swing programming in the rhythm and drugged out chords. creating a ghost town atmosphere, transforming the club into another >futureworld<

his style is a fascinating mix of house, electro and techno including all sub genres. after his debut album alles wird gut on beatmodul records in early 2007, which was supported by djs like steve angello or sebastien leger this track has a lugging electro bassline with a stomping kick in the beginning. squired by a discreet tricky melody which works with several highs and depths the track is getting a brandnew style from the middle on which gives it a big kick. as remixers we could manage the swedish superstar jeff bennett (malmo) and kaiser souzai.

new electro house label from italy!!

off-key limited is a new subsidiary label of off-key industries whose aim is to give exposure to new artists alongside established producers and to bring a wider range of genres with less of a focus on the dancefloor. each release will be strictly limited and will not be repressed. we start by raiding the off-key vaults to unleash a series of releases entitled >the dust off<, featuring material written in the off-key studio over the years by matt o brien and various collaborators and associates. matt kicks off the ep with >a new page turns<, a bangin dubby detroit techhouse cut driven by a low slung rhythm and analog stabs dripping in reverb, overlayed with a melodica riff which calls to mind the smokey refrains of augustus pablo. next up is >untitled< by newcomer mat gates, a beatless slice of electronica whose understated melodies conjure up thoughts of late summer evenings of times gone by. on the flip, o brien and gates combine under the artist name kimble to bring you >epiphany<, led by a shimmering melody underpinned with haunting strings which combine to form an electro track of rare beauty. this diverse ep is completed with mat gates second contribution, >in a hole<, a drum n bass track with a disjointed, skeletal rhythm, sub bass drops and fragile, melancholy melody.

the follow up to 2005s classy cornuts & courvoisier 12incher, this latest dancefloor loveliness has all the ingredients for a to be dance classic: heavy percussion, fat bass, & undeniably catchy melody. a hard to nail down sound its got disco, stoney dub, latin percussion, & stank funk. dope.

after his first release on flash recordings together with daso on the night express ep, pawas is now back with his very own three-track ep on the label of koletzki & meindl. all tracks were created in pune in india, pawas’ hometown, and the ep is about three different characters. alicia, charlie and edward. each one of them has a certain distinctive vibe about them: alicia is deep and eloquent, edward is more hectic and restless while charlie seems the funky and witty sort. in terms of music, edward is carried on a powerful, deep synthie melody, a big breathing bassline and some great percussive clicks and clacks that turn into a slightly ravey minimal burner later on in the tune. very hot! edward is a little lighter and is pushed forward by a great funky melody that creates the perfect after hour moment. imagine yourself on the beach when the sun is coming up. alicia on the a side is a deeper, more housy affair has a melodic, percussive and detroity appeal. pawas has managed to create a very fresh and unique signature sound and with releases on squonk, connaisseur and flash records, 2007 seems to be the year for him.

delete strikes with 4 perfect tracks to get caught by his music. on a1 bobby trap is a huge piece of click techno with a dub deep bass subtle darky sounds and a heady grabble distord melody giving an incredible tension on a2 whos the big boss is a minimal darky tek track deep and groovy check out this delete crispy melody b1 is black mamba with the sublte use of flang’ fx on heady melodies in a dark atmosphere and to complete this ep a rollin funky tech house piece brilliant!

hannover based producer and dj sascha wallus comes here on the 7th dinner with varying string lines, cathy melody pads and a wee soundtrack atmosphere.

with banging beats, powerful vocals, crushing hats and sweeping melody’s this track is proven to be a dutch quality clubbanger.

known as one of the leading booty turntablist djs outside of detroit, dj guy formerly released wax and djed as one half of londons non stop djs. his previous releases have been given #1 spot charting by dave clarke, received global radio play, and received quotes such as >the best record released in 2006 and ill say in the past 2 years< (dj koyote - diamond grills, paris). global fire is a new label for 2007, dedicated to releasing a spread of the best in club music. style-wise, the label will cover detroit ghettotech, baltimore club, chicago juke and more, with releases by a wide variety of artists both firmly established and previously unknown. the ep opens with >bucked up<, an all-new booty version of young bucks >get buck<, the remix keeps the outrageously thuggy bassline and vocals from the original, and adds some cracking booty drums. >who wanna< starts like a dj tool with shades of steve poindexters >work that mutha fucker<, and turns into a full on ghettotech track with vocals to match and a big old growly bassline that builds throughout. >the raw< is a thumpy dancefloor workout that starts dumb, and gets dumberer when the wonky synth comes in. >the runner<: heavy on the melody, beatboxy beats, sweepy organ, phasey strings, cheeky bassline, and previously heard being used to great effect on the paris goon & koyotes classic diamond grills mix cd, and more recently on detroits dj godfathers serato presents dj godfather: for the freaks, the first ever serato-commissioned dj mix. last but by no means least, >big pussy< comes with a stupid funky bassline, warped bass, electro sounds, and vocals about a big cat. with big titties

after a short break, inflicted are back with a real hard techno smasher from mastermind arkus p. (friendly fire/hardcore salsa) all 4 tracks are different, the a1 is a hard stomping loop with a nice melody. a2 is the hardest track, just forward with a lot small breaks to push the crowd. b1 you will find another hardtechno tune with a very good vocalwork >stop me if you can<. b2 reminds a little bit to the older technostuff

an acclaimed young five piece from leeds, stateless have already displayed their mastery of beat driven guitar and turntable rock on previous releases. but their third single bloodstream, is their masterpiece. a 21st century blues ballad built from cinematic hip hop beats, super heavy bass and perfumed piano. it sounds both heartbroken and drunk on its own romantic intoxication. the berlin based producer and remixer henrik schwarz, one of germanys most respected djs, brings his trademark love of jazz and deep house to his version. schwarzs remix re engineers the track as a sleek dance tune, speeding up chris vocal into a restless, nervy, emotionally naked torch song. by contrast, the chic parisian re edit maestro pilooski strips the track down into a cubist collage of rhythmic throbs and sparkles, with a staccato piano melody pulsing through it like a heartbeat. its a playful and vibrant fusion, where soul baring yorkshire poetry meets sleek french disco chic.

4 track 12inch ep with massive malente remixes !!

probably the biggest dancetunes for maripoza this year! the opener >a little bird forever< is a huge dreamy melody monster. the recipe of this smasher is the sophisticated arrangement and the amazing hookline of a warm bass. listening spots is a sound from another galaxy with a lightly deepness.. thats all u have to say about it. so maripoza grows with this two tracker to everyones favourite label

goldfish und der dulz are now dropping a bomb that will outshine the others these two awsome guys are cooking up their next soup on dessous recordings. 13 klaenge, is a dark, spooky track, catchy and hypnotic, and takes you on a real psycho trip. warm sounds on a cold tight beat, a hihat from somewhere beyond and a melody that sticks in your head for hours. chirocco is housey and definitely focussed on the floor with sharp pushing hihats and a weird melody

played by: martinez, 2000 and one,tadeo, stare5, jeff samuel, karotte, matt star, x-pansul. cray1labworks have arrived to their tenth release. to celebrate, they have chosen none other than the copenhagen based theodor zox. thick, liquid bases spread over theodor zoxs >whats in a number<. the blips and crackles playfully dance around the base line while the main melody slowly comes into shape, creating a delicious danceable song strolling between minimal and sweet old school techno touches, following the path that cray1labworks have always laid. the volatile sound of >whats in a number< is overshadowed by the strong, mysterious, seductive synths of the minimal tech >feed me lies<. a song thatll make the ladies sway their hips on the dancefloor

first release on the sublabel mythica white !crazy on the dance floor is already a big hit on all dancefloorz with its upliftingvocals and catchy melody. so check out this hardstyle bomb!!

versatile are delighted with this new addition to their catalogue. a release made in belgium by detroit techno prodigy: fabrice lig. as you will notice on this new ep, the first white guys to have signed a record on kevin saundersons legendary label kms, remains faithful to the sound of motor city. a light and esoteric melody sets the tone of >x-slaves who changed the world<. the tight clap and kick drum leave room for the modulating bass. a voice similar to martin luther kings, repeats names of cities in which slavery prevailed, whilst pads stimulate the mental trip. the x slave is taken by the dancefloor, changing the world as he dances to the beat. “funk la termite” is elastic funk. binary rhythms, off-beat chords which keep the groove balanced whilst the hi-hats, like little insects, dig away at the beat, building it and deconstructing it as the sounds evolve. >the round of funky bugs< continues in the vein of creepy crawlies. here, the synths are more upfront, their acidic layering create a mixture of harmonic loops which will set all hells lose. the melodies and use of pads stay anchored in the detroit tradition, but this production fits just as well with all the current electro releases worthy of any good dancefloor

supported by: chez damier, jimpster, chris duckenfield, leandro gámez… from the hands of nacho marco, who recently had a big succes with his >sweetest ep< on freerange, various forthcoming releases on pacha recordings and with a bunch of releases during the last years on labels like odori, shinichi, mutes future groove, d.press industries, exun or hypnotic, comes this new label focused on house music in its most deep, electronic, tech and groovy side. based in valencia, spain, loudeast records will be bringing the most elegant, quality, moody tracks to your favourite dancefloors. for this first release own nacho wrote >sundays in love<, counting with the special remix collaboration of partners mike shannon (cynosure records, montreal) and garcynoise (justified cause recorthings, barcelona). on the a-side you will find nachos original mix letting the melody and bass persist amongst the rest of elements. a2 is the turn for our canadian man mike shannon, who with his >tuesdays in love< mix drives you to an uncertain techy point between montreal and detroit cooked with hot spicy percussions.

spacetalk recordings present their second release, a powerful 3 track ep from veteran producer matthew puffett aka future beat alliance. future beat alliances music is warm and melodic with roots firmly implanted in detroit techno soul. his debut release for spacetalk contains some of his finest work to date, with retro synths and hints of vangelis style soundscapes weaving through the multiple musical layers and dusty vocal samples. breathe in your fear is a cool acidic detroit techno groove that has met with broad appeal amongst the select djs that have had the privilege to hear this deep gem. reverse the negative conjures up late nights at the loft with its haunting violin melody and seductive female sci fi dialogue. the ep is rounded off by the majestic contact yourself which draws from balearic, cosmic and electronica to create a melodic slo mo groove for those after hours sessions

producer holger behn aka h.o.s.h. is back on stil vor talent with his third release and second 12 inch on oliver koletzkis imprint. his latest two tracks are all about house music, while always keeping a strict eye on the dancefloor. it starts with the tech-house anthem >grünanlage<, the name of a sunday afternoon open air in h.o.s.h.s hometown hamburg that he co-organises. the tune features a great clappy snare and some wonderful balearic guitar melodies, which swing over the fast loop. this tune is going to put a smile on your face wherever you are. on the flip there is >blaupause<, which translates as blueprint and is a dreamy housy pusher that keeps grooving with its synthie-stabs and warm bassline. later in the track h.o.s.h. adds an oldschool piano that pushes the track into another state with its drifting melody. it reminds us of so very many great rave moments. however, h.o.s.h. never gives in to the temptation of drifting off into cheese, stays cool at any given moment and keeps the seal of quality for his music very high. >blaupause< is a wonderful summery teaser that never explodes, but keeps imploding! h.o.s.h. once again does what he does best: delivering two wonderfully melodic tracks that fluctuate perfectly between house and techno. just the way we like it

>chariots<, the simple debut of james priestley and dan berkson, is a luscious house treat. driving percussion and throbbing keys move towards a crescendo through airy synths while the classic piano melody comes in to send the dancefloor to a blissful climax. soul and melody with a tight little groove, everything we at simple love! acclaimed frankfurt duo motorcitysoul, who made their aus debut earlier this summer, turn their hand to the remix. rotating clicks and punches move towards an ever intensifying push, while melodic whispers gather around the central chord progression, combining to create a deep and dreamy finale.